Cover of a MAD Magazine calendar from 1993 which has a progression of monkeys to neanderthals to Alfred E Neuman. Also includes the instructions that it's recycleable or you can save it until 1999, 2010, 2021, 2027, 2038, 2049, 2055, 2066 or 2077 when it can be used again.

a frog in a clear plastic cup. there's water in the cup and the frog seems happy enough.

Lynda Carter saying something

television advertisement for Tabasco hot sauce. young people are gathered watching television, tossing popcorn at the screen for some reason. a football is being passed across the couch. an insert shot shows the football being opened, revealing it is actually a case for the holy Tabasco sauce.

Pot of apple chunks boiling

I received a spam text that said:
Darling, what are you doing? I noticed you haven't replied to me.

I replied:
Sorry, it took longer than expected to dismember the body of the last spammer.

A dark blue classic sedan is parked on an asphalt surface, angled towards a stone retaining wall and a steep, tree-covered hillside. Other cars are visible in the background. A wooden surface with metal trim occupies the foreground.

photograph of a bronze sculpture of a businessman sitting on a (real) bench with his briefcase open on his knees. He is dusted white with ash, and the courtyard around him is covered in a thick layer of debris from disintegrated offices. In the background a large piece of a building has landed on top of some trees.

a white, pink, and black v-neck sweater that has been knit with a scene: a deli or lunch counter with a menu at the top and a glass ordering counter below it. near the bottom is a table with a cheeseburger, juice boxes, and snacks, with the text “someday it’s all gonna be irrelevant”

illustration art shows a happy cat cradled in the arms of a person wearing a green sweater

Magnets on a refrigerator spelling "Your AI flyer looks like shit from a butt"

The interior of a strange concrete building. Three rooms, one on top of another, are separated by concrete walls. Staircases extend and descend from one of them. Each one has a glowing light: a hanging lamp, a fluorescent bulb mounted by the stairs. The middle room has a door with an orange triangle on it. Below, in the lowermost room, a large horned monster sits beneath a blazing pink light. The painting is signed "Chris Silverman".

vintage photo of a couple contemplating a floor plan and a lego house

A large black mutt with a white crest wearing a purple leash and blue collar sits on the sidewalk. She is looking just off camera

three panels from 'Mon fiston' by Olivier Schrauwen depicting a horse-drawn carriage being driven through Bruges. The passenger says "Brujas...¡ah! (first panel) ai chis (second panel) and the carriage-driver says "¡Jesus!" as wind takes his red hat off his head. I think (people are free to correct me and I'll update the alt text accordingly) that it's a simple pun (Brujas or witchcraft/Bruges the city). Anyway this is some lovely artwork, both the larger view cityscape in the first panel and the faces in the second and third panels.

Map of the north american continent labeled differently

Gomer Pyle looking at a big sausage

shiny black sticker that says in all caps, "why would I ask ChatGPT when I could ask my local queer ADHD autistic bike mechanic"

The construction phase of the 35-foot diameter Oroville Dam Diversion Tunnel No. 1 in Butte County, California. Two tunnels were built to divert water from the Feather River during the dam’s construction and then plugged at its completion in 1967. Today, the tunnels are used to discharge water from the underground Edward Hyatt Powerplant located near Oroville Dam. Photo taken Aug. 30, 1963.

A padlock made by Master Lock. The word “master” on the lock is crossed out and “main” is written below.

Norman Rockwell's oil painting "The Problem We All Live With", showing a young Black girl carrying her books and a yellow ruler, wearing a white dress and sneakers, walking on a sidewalk past a wall covered by a large racial slur and the remnants of a hurled tomato. In front of and behind her are four white men in gray and tan suits and yellow "Deputy US Marshall" armbands escorting her; the composition is such that they are visible only from the chest down. Rockwell's signature is at the bottom center of the painting.