illustration of a boy smashing cans with a hammer captioned "It's wise to provide constructive outlet for feelings of intense anger." with the boy labelled 'ME' and the cans labeled 'THIS'

a cartoon with sound effects in Japanese. A human moved a remote to keep a cat from knocking it over. The cat then cuddles with the human until it can get close to the new location of the remote in order to knock it to the floor.

Three panel gag strip with an owl called Hibou.
Panel one: Hibou is in a tiny little boat at sea, perfectly content and singing/mumbling 'la-di-da, la-did-da'
Panel two: Hibou put out a fishing rod. Says out loud: 'such blissful solitude'.
Panel three: Hibou catches a fish, and reels it in. The fish looks scared, with a hook in its mouth. Hibou looks angrily at the fish and says 'Leave me alone'

vintage tub in a pedestal shaped a bit like a bed

vintage ad for a product called "KABOB-IT" with the caption "come and see a lot of delicious new ways to entertain"

illustration of an orange with the caption "HOW does an orange breath?"

Psychedelic cutaway view of a human head in profile, with a colorful abstract representation of the brain and spine. Some wires extend down from the bottom of the image.

woman from dirty dancing striking a pose

Pictures of a brick bbq

black and white photograph: a row of tall enclosed booths with privacy curtains partly drawn. inside the first booth is a woman, and the second booth, a man. they are both using the bell labs "picturephone", which featured a cone-shaped cathode ray screen enclosure and an attached handset. on the screens, an image of the person to whom they are speaking is visible.

Variant of the Gadsden flag has Jimothy, a mutant raccoon with no neck, chopping down a surveillance-camera-festooned pole with a handsaw above the inscription “DON’T SPY ON ME” on a yellow field.

Chinese/English sign saying 'no flirting', crossed out image of couple having sex

Film loop of a panicked man at the wheel checking in front, left, right, behind for something he clearly fears

Photo of the author (with added agony)

<Turtle and Snail stand with Mouse in an open field; Mouse is holding a skull>
Mouse: "Hey friends, check this out!"

<Turtle and Snail look shocked>
Turtle: "Oh my god, Mouse, did you kill a guy??"

<Mouse puts the skull down>
Mouse: "No, no. It was already like this."

<Close up on the skull who now speaks>
Skull: "I killed a guy once. It cost me everything."

<Turtle and Snail are shown again>
Snail: "And so you were cursed to an existence between life and death-- one that is no life at all-- to dwell forever on the mistakes of your mortal coil?"

<Back to Skull>
Skull: "Wow, making a lot of assumptions about the talking skull here."

<Still on Skull>
Skull: "But essentially yes, that is the situation."

<Mouse and Skull are shown>
Mouse: "Good guess, Snail."

<Turtle and Snail are shown>
Snail: "Stereotypes exist for a reason."

A picture of Sugar's Copper Blue on (for some ridiculous reason) ORANGE vinyl.

screenshot of video: against a purple background, a gift wrapped in a green ribbon and bow is on the right; on the left, text reads "For The Person Who Likes Sex & Violence"

a dense poster diagraming the components of the curta mechanical calculator, a hand-sized cylindrical device with a crank on top. the diagram shows the numerical selector switches along the side, the pins and other moving components within the device, as well as explanatory text (too voluminous to transcribe here at the moment)

CDN media

A black bear asleep in an evergreen tree, sprawled so that most of its face is obscured except for the muzzle, seen from the underside.

Caption of photo showing artist in front of their portrait of Trump: Wendy Chartrand had no idea that her portrait of U.S. President Donald Trump, painted using horse manure mixed with water, would attract international attention after it sold at this year's Sooke Fine Arts Show, VIA WENDY CHARTRAND

Ciudad Juárez, 1892. Juan holds up a burrito and saysỗẠbehold luis, I call it: the burrito." Luis eats it and says "this is delicious Juan, but how on earth does this look like a little donkey?" Juan thinks and surmises "it looks like the ones I grew up with." Juan takes Luis to a field of small, bow-legged cylindrical donkeys who appear to me in great distress. Luis looks on in terror as one of the donkeys repeats
"kill me. kill me."

An oil portrait of a small brown and white dog with a studded collar on a table. The table has a pink tablecloth. On the table, to the right of the dog, are a large white porcelain cup with a floral design, a broken piece of bread, and what is maybe a biscotti. The dog is slightly plump and has a smug expression.