Silhouetted view of astronaut Christina Koch looking up at the full Earth

meatloaf and tim curry on a card titled "Meat Loaf with Curry" and "Follow me for more recipes"

Photograph of Joanna Lumley from Absolutely Fabulous. She is lighting a cigarette and looking very startled, wide-eyed with smudged lipstick, mascara and bedraggled hair.

a nighttime scene in Los Angeles showing a parking sign with a palm tree, utility pole, and power lines visible in the back ground. The parking sign reads 2 hour parking, 8am to 8pm except sunday. under that is a sign made to look like a street sign posted: "No ICE Chinga La Migra At All Times" with a universal No symbol over an ice cube.

A streamlined turquoise motor vehicle with pinched nose, big glassed-in passenger compartment and an odd grid of vertical fins on the roof.

looking at a parking sign on a post in los angeles, with blue sky, powerlines, and a building visible in the background. under the parking sign is a sign in the style of a parking sign: "NO I.C.E. PLEASE GET A REAL JOB"

a flat rectangular plastic card with four large round circles arranged in an arc and a semicircular cutout in the left edge. It's clearly designed to engage with the fingers and thumb of the left hand. There is a small round hole for a knotted string in the top left corner, marked "Memory". The larger holes, from top to bottom, are numbered 1, 3, 5 (thumb cutout), 2 and 4.

All of the text is written in a delightfully retro-futuristic font (likely Data70) invoking MICR computer text. Other texts are "The Zlotnian Calculator™" and "© Fingerbrain Co. Seattle, WA 98103 U.S.A."

A black-and-white cartoon depicts three women in robes speaking to a group of men. The caption reads, "So ladies, thanks for being the first to witness and report the resurrection, and we'll take it from here."

film loop - a woman at a breakfast table with a loaf of bread startles as flames burst from her toaster. She holds up a piece of burnt toast into which someone - or someTHING - has etched the words SATAN LIVES.

This is a stylized, humorous comic drawn in a simple red-and-white color scheme.

Overall layout:
The image looks like a poster or PSA. Bold, all-caps text appears at the top and bottom, framing a single large illustration in the center.

Main illustration:
A cartoon person has just tripped off a curb and is shown mid-fall, sprawled awkwardly on the ground. Their body is exaggeratedly limp, with long, thin limbs stretched out in unnatural positions.

The absurd twist:

Their bones have popped out of their body and are scattered on the ground around them—arms, legs, and even a skull lying separately.
The character is looking down at the loose bones with alarm.
Two speech bubbles say:
“OH NO, ALL OF MY BONES!”
“THOSE ARE SUPPOSED TO BE INSIDE OF ME.”

Environment:

A sidewalk and curb are visible, indicating they tripped while walking down the street.
The background is minimal, with dotted shading to suggest ground texture.

Tone and style:

The drawing is simple and cartoonish, not graphic or realistic.
The humor is absurd and exaggerated, playing on an impossible scenario (bones ejecting from a body).
The bottom text continues the joke by pretending this ridiculous outcome is a real risk, warning people to “look before you step off curbs.”

It’s a parody of overly dramatic safety warnings—taking a mundane accident (tripping) and escalating it into something hilariously impossible and grotesque in a playful, non-serious way. '‎I ALL HAPPENS IN A HEARTBEAT. ONE MOMENT YOU'RE WALKING DOWN THE STREET. THE NEXT YOU'VE TRIPPED AND FALLEN AND EJECTED ALL OF YOUR BONES. ALLOFMY OHNO BONES! THOSE ARE SUPPOSED TO BEINSIDE E OFME. OF ME. 대대국식터다다습니 / من AND ALL YOUR CLOTHES FALL OFF toO AND YOU'RE NAKED, AND EVERYONE CAN SEE YOUR FLAPPY, EMPTY SKIN. ISIT IS WORTH THE RISK? IS IT WORTH THE SHAME? LOOK BEFORE YOU STEP OFF CURBS. ALL OF THIS STUFF CAN AND WILL HAPPEN.‎'‎

a large man in a fuzzy white bunny suit with huge pink ears hunched over in a sitting position and mugs happily for the camera, surrounded by a dozen white bunny and chicken puppets

A squirrel in a tree with a massive cookie

A graph potting the year versus the date of flowering of the cherry blossom. The years are on the horizontal scale, the month or moment of the year of flowering on the vertical scale. at the right end of the graph, approaching the year 2025 we can see the graph goes down, which means that the flowering starts earlier and earlier in the year. The moment of flowering in the year 2025 is one of the lowest/esrliest on the graph.

image of the earth from the moon, with the text, "I have two versions of Outlook and neither of them is working" as a reference to a recent incident with the Artemis II crew

A large round yellow smiley face floats through an eerie woods on a dark night. The face is glowing and slightly translucent. It casts a yellowish-green light on the trees around it. The tree trunks are dark indigo and green, looming out of the shadows. The smiley face casts an iridescent, yellowish-green glow on the cracked ground as well. To the left, a figure is pursuing the face. The figure is illuminated bright yellow by the face, and it and the trunks around it are slightly lit from another bluish light source off screen. The painting is signed "Chris Silverman".

two men in button down shirts, surrounded by four big 42-inch-diameter white globes inscribed with lines showing latitude, longitude, azimuth and other astrogation aids. One man is drawing on one of the globes.

animated chickens dumping baskets of eggs into a box

Altered States scene in which he's a deformed human

NASA astronaut and Artemis II Commander Reid Wiseman took this picture of Earth from the Orion spacecraft’s window after completing the translunar injection burn. There are two auroras (top right and bottom left) and zodiacal light (bottom right) is visible as the Earth eclipses the Sun.

animation of artemis II's flight trajectory, with the earth rotating at a fixed point in the upper-center of frame. the craft is depicted as a red ball following a red loop, with the moon (a grey ball and grey line) coming into frame just as the craft is at its furthest extent.

a picture of the shattered remains of a green mug arranged so the mug's message is still readable: "Don't let reality ruin your day"

Squirrel with cookie

fred astaire exiting with a bunny