details add up

A thin figure paints a giant red devil, comparatively the size of a house, on a gray surface. While the devil's right leg is rough and unfinished, and parts of it have red paint drips, the rest of the devil looks quite realistic and appears to be coming alive. The devil has turned its head and is looking down at the painter, an expression of dark suspicion on its face. The painter has a white halo above its head. A small silver and red paint can sits on the ground. The painting—this painting, the meta-painting, if you will—is signed "Chris Silverman".
alt text
A thin figure paints a giant red devil, comparatively the size of a house, on a gray surface. While the devil's right leg is rough and unfinished, and parts of it have red paint drips, the rest of the devil looks quite realistic and appears to be coming alive. The devil has turned its head and is looking down at the painter, an expression of dark suspicion on its face. The painter has a white halo above its head. A small silver and red paint can sits on the ground. The painting—this painting, the meta-painting, if you will—is signed "Chris Silverman".
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